Genres: Soul, Urban, Pop, Motown, Pop/Rock, Quiet Storm, Smooth Soul, Blaxploitation Active: 50's, 60's, 70's, 80's Born: April 2, 1939 in Washington, D.C.
Ashford & Simpson, The Supremes, The Temptations, Mary Wells, Kim Weston, Don Covay, Martha & the Vandellas, Martha Reeves, Tammi Terrell, Stevie Wonder, The Spinners, The Four Tops, Al Green, Gladys Knight, Earth, Wind & Fire, Isaac Hayes, The Rainbows, Johnny Moore, Big John Hamilton
R. Kelly, Mitch Ryder, Simply Red, Remy Shand, Rod Stewart, Steve Spacek, The Style Council, Wham!, Martha & the Vandellas, Acosta/Russell, Sleepy Brown, D'Angelo, Terence Trent D'Arby, Paul Weller, Lionel Richie, The Rascals, Robert Palmer, Ashford & Simpson, The Brothers Johnson
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| 1 |
After the Dance (Introduction) |
1:22 |
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| 6 |
If This World Were Mine/Ain't Nothing Like the Real Thing |
5:51 |
|
| 7 |
Ain't No Mountain High Enough |
1:32 |
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| 8 |
How Sweet It Is (To Be Loved by You) |
4:55 |
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| 10 |
Inner City Blues (Make Me Wanna Holler) |
5:07 |
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| 11 |
I Heard It Through the Grape Vine |
3:57 |
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| 16 |
Inner City Blues (Make Me Wanna Holler) |
5:24 |
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| 18 |
Medley: Ain't Nothing Like the Real Thing/Your Precious Love/Love Twins |
8:19 |
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| 19 |
Rockin' After Midnight |
8:57 |
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| Pete Escovedo: |
Percussion |
| Lonnie Liston Smith: |
Keyboards |
| Bernard Baisden: |
Trombone |
| Gordon Banks: |
Guitar, Leader |
| Julian Beeston: |
Remastering |
| Elmira Collins: |
Vibraphone |
| Sheila Escovedo: |
Percussion |
| Fernando Harkness: |
Sax (Tenor) |
| McKinley Jackson: |
Musical Direction |
| Carl Jones: |
Sax (Baritone) |
| Paulette McWilliams: |
Vocals |
| David Majal lI: |
Saxophone |
| Hiroshi Upshur: |
Keyboards |
| Athan Maroulis: |
Liner Notes, Reissue Producer, Research, Annotation |
| Eunah Lee: |
Graphic Design |
| Rastine Calhoun III: |
Sax (Alto) |
| Peggy Logan: |
Copy Editing |
| Dwayne Benjamin: |
Trombone |
| Checo Tohomaso: |
Percussion |
| Howard Westbrook: |
Guitar (Rhythm) |
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